Rodrigo Beilfuss, artistic director and actor

Rodrigo Beilfuss is a Brazilian-born Canadian actor-director with a German last name, who trained in England and now calls Winnipeg, Manitoba his home. He is the artistic director of Shakespeare in the Ruins.

Shakespeare in the Ruins. Photo Clarence Abrams.

Growing up in Brazil, Beilfuss envisioned a career as a diplomat. He was well on his way after being accepted to law school, but he faced a fork in the road when he was also accepted to a cultural exchange program in Winnipeg. He chose Winnipeg thinking he’d return to Brazil, and a career in the foreign service after the cultural exchange was completed.

As part of his cultural exchange program, Beilfuss was introduced to the works of Shakespeare; he fell in love with the Bard’s words and soon traded his pursuit of a diplomatic career for a one in theatre.

Beilfuss admits that when he was first introduced to Shakespeare, he didn’t understand much of the language. However, his realization that he was not alone in his struggle to comprehend Shakespeare’s work ultimately gave him the confidence to work through it. “Ironically, Shakespeare gave me a sense of belonging – everyone was confused; everyone was terrified,” says Beilfuss.

From Winnipeg Beilfuss traveled to Stratford, Ontario and England where he studied at the London Academy of Music and Dramatic Art. His master’s thesis research at LAMDA examined the process, and cultural impact, of performing Shakespeare in different languages – a natural topic for Beilfuss, whose first language was not English.

Beilfuss’ was also accepted to Stratford Festival’s prestigious Birmingham Conservatory for Classical Theatre training program and the Michael Langham Workshop for Classical Direction.

Beilfuss went on to perform at the Stratford Festival for three seasons and was assistant director to Graham Abbey in a fourth.

In this episode of The Performer Podcast our conversation begins with the story about a production of “Macbeth” at the Stratford Festival the day that three actors, including the lead, were unable to perform due to illness. The play went on with the actors and understudies scrambling behind the scenes, some covering two roles.

In “Macbeth,” Belfuss played Young Siward whom Macbeth kills in the final battle, shortly before his swordfight with Lord Macduff. The production was filmed and will be available for free, for three weeks beginning May 7th, as part of the Festival’s Shakespeare Film Festival

SHOW NOTES:
Website.
Twitter.
Instagram.
Cyrus Lane podcast
Lisa-Repo-Martell Podcast
Joseph-Ziegler Podcast
Stream Macbeth from the Stratford Festival as part of the Shakespeare Film Festival

Hamlet at the Rose Theatre Brampton with Pakistani-Canadian star Ahad Raza, directed by Haysam Kadri a graduate of the Birmingham Conservatory at the Stratford Festival.

Shakespeare In The Ruins website

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FOUR EPISODES WITH OTHER ACTORS FROM THE STRATFORD FESTIVAL
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Tony Nappo, actor

Tony Nappo is a Canadian actor who graduated from the American Academy of Dramatic Arts in New York and has appeared in critically acclaimed television, film and stage productions.

Tony was preparing for Coal Mine Theatre’s production of the pulitzer prize winning drama “Cost of Living” when theatres were shut down to prevent the spread of COVID-19 and everything changed.

As well as discussing parenting and acting, Tony shares the story of how he managed to kick his drug habit after a 5-day bender that almost killed him.

Tony writes the weekly column Nappoholics Anonymous on IntermissionMagazine.ca. It’s a no-bullshit, thoughtful, uncensored, and only occasionally unsafe for work bunch of sentences well worth reading.

SHOW NOTES
Tony Nappo on Facebook
Twitter
Instagram
Coal Mine Theatre

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Ma-Anne Dionisio, actor


Ma-Anne Dionisio is best known for originating the role of Kim in the Canadian production of “Miss Saigon” and subsequently performing around the world. She currently plays Diana Goodman in the Musical Stage Company’s production of “Next to Normal” in Toronto.

J. Kelly Nestruck wrote this in the Globe and Mail about Dionisio’s performance: “Dionisio performs with so much intensity and emotion that you often feel as if you’re inside Diana’s restless skin, being crammed with mood-stabilizing medications or zapped with brain-jolting electricity….[Dionisio] brings an aching fragility to the role”

In our podcast Ma-Anne shares how she went from being a 17-year-old nerd to an international musical theatre sensation.

Ma-Anne reminds us that actors who portray mental illness on stage need self-care practices off stage to help them cope with the stress.

She is also very candid about her experience as a single mother working in theatre.

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